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Mark Cousins delves a little deeper in this Logic Tutorial. Ask any Logic user what they find most daunting and perplexing about the application and the result will be unanimous — the Environment. To be fair, Apple has done a tremendous job hiding the Environment from view, and indeed, few users will ever need to use it as part of their daily workflow. Of course, you can choose to go a lot deeper, but the techniques are applicable and relevant to anyone working with Logic.

The concept of flow is important to the Environment, primarily because the system works though a series of interlinked patch cables, much like Reason when you turn around the instrument Rack. The other important point to note about flow is that there are two principal paths to be navigated — the route in to the sequencer or Logic, in other words , and the route out of the sequencer. See main image. To keep things simple, the Environment is divided into a series of Layers, each with a slightly different function.

An assortment of objects can be found under the New local menu item, each fulfilling a different technical objective. The cable switcher is useful in that we can create two parallel paths, switching between them by clicking on the Cable Switcher.

Create two new objects — an Arpeggiator and Monitor, both from the New menu — and wire them in series, from the second node on the Cable switcher through to the Arpeggiator, followed by the Monitor and then the Sequencer Input. Having looked at the input route into Logic, we now need to consider the concept of outputs from the Environment. Click on the new instrument object and use the inspector on the left-hand side of the Environment window to establish its parameters, which include a Port assignment and Icon, among other things.

In theory, you can then repeat this for any other MIDI hardware you have in your setup. The library should open if not, press on the Media button in the top right-hand corner of the Arrangement Window and select the Library tab and as part of the list of options you should see your newly created Instrument. In effect, the objects that reside on each track lane are forms of output. To change the way data flows to our Software Instruments we need to get a little creative with our wiring.

This new instrument effectively becomes our new route into the Mixer page, allowing us to direct and modify the MIDI data as we see fit. When you create the routing, Logic will prompt you to remove the existing Cable and Channel Port setting for the Instrument.

Click Remove to execute this. Having created the routing, we then need to configure the track list so that we can access this new output path. Select the MTM Hybrid Synth track, therefore, and you should be able to play on the keyboard with the output routed simultaneously to the two Software Instruments.

Now that we have this alternative output route configured, we can get even more creative. This is a fascinating tool, allowing you to assign unique combinations of notes to each key. Use a different Chord Memorizer for each instrument path and see how you can create complicated multi-timbral chord voicings from a single note. Napolian, electronic musician and prominent LA-based producer, dies at Data miners discover Spotify HiFi interface graphics and settings.

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The Logic Pro Environment refers to the virtual MIDI studio environment that gives you complete control over your MIDI setup. The Transformer object in the Environment now works properly with bit Pitch Bend data. Both notes created by splitting a muted note in the.

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Choosing an individual Drum Machine Designer Kit piece from the patch library no longer resets the volume of a selected Software Instrument track. Tracks names are now consistently visible when the Track Alternatives selector is shown in the Track Header. Fixes an issue where audio regions set to Flex: Mono mode could sometimes exhibit crackling noises after the region borders are adjusted. Dewdman42 attached the following image s : step2. Buy ShaperBox 3 Bundle Now!